Step 13: In the Strokes menu, there is an option for Lazy Mouse, which enables you to created decorative shapes with less precision as you can see a line along the curve you draw. Step 12: Now, when we fill the ear, the problem is gone.

Step 11: To avoid this problem, go to Brush -> Auto Masking and turn on BackfaceMask. Step 10: Let’s switch to clay brush or press B – C – L, and when we fill the area near the ear, it gives us artifacts on the back. Placement, scale, color, and flow parameters adjustment can be made depending on the look you want. Step 9: Spray stroke is used to apply a random pattern of different sizes and color intensity over the cursor drag path. Step 8: Next is the stroke mode when we change to freehand though it is similar to dots mode by placing multiple instances, it also connects those instances by reducing the spacing between the dots, and it might be slower than the dots stroke. While the focal shift determines the falloff of the brush Z Intensity, on the other hand, determines the depth. Draw size determines how large the brush is. Step 7: By default, the standard brush is selected, so let’s start sculpting with it and look at some settings. Also, press Floor to activate the perspective floor grid, which can be activated per axis, and by default, Y-axis is enabled. Step 6: Enable the perspective button to which will apply perspective foreshortening to a 3D object. When you place a primitive 3D object in the edit mode, it will automatically be closed in the tool palette. This mode will allow you to sculpt the 3D object.

Step 5: After creating the sphere, go to edit mode.

Zbrush character sculpting